Ranking all BLACKPINK Songs


Ranking all BLACKPINK Songs

To date, my most viewed weekly posts are my Ranking of all BTS Songs and of all EXO Songs, there are also my most viewed posts of all time. I have attemped to write sequel posts afterwards, but none of them really had the required quality for the series. Eventually, I decided to do such a post on BLACKPINK, who only have 10 singles across their entire career. However, they do have 20-something songs including b-sides, enough for a countdown. Thus, this ranking will rank all BLACKPINK songs.

All songs released by the group will count. Solos and subunits will be excluded, unless included on group albums. I also excluded Sour Candy and Kiss and Make Up, as they were more Lady Gaga and Dua Lipa songs, and even featured on those artists' albums. I also plan on updating this list whenever YG chooses to open their dungeon for the week.

With that said, let the list commence!



21. Ice Cream (With Selena Gomez) (2020)

Perhaps the least surprsising position across the list, Ice Cream is often considered one of BLACKPINK's most disliked songs within the fandom for good reason. The strange innuendos make arguably one of BLACKPINK's worst lyrics yet, and the clobbering EDM beats feel disaccosiated to the song's internal melody. Selena Gomez fails to work well in the song, leaving the entire track as a mess best left forgotten. (Full Review)


20. See U Later (2018)

See U Later has some fun, poppy, verses. Unfortunately, it all collapses into an unexpected drop, lacking rhyme or reason. In many ways, See U Later feels like two songs randomly hodge-podged together to provide another song on the Square Up EP.  Perhaps some connective tissue and some essence of build and release could support this song.


19. How You Like That (2020)

Up until the 0:41 mark (in the music video), How You Like That is perhaps the most galvanizing and euphoric song in BLACKPINK's discography. However, the disastorous drop chorus, assisted by splintering EDM beats and some terrible lyrics ruin all the flow, and the song continues to tumble until its forgettable coda. While despised by K-Pop fans for basically ripping off BLACKPINK's best tracks, How You Like That nonetheless remains their best-selling song, likely due to their clever promotion tactics.


18. Kick It (2019)

Minus the pulasting bass and occasional clever synths, Kick It lacks anything to write home about. A good portion of that can be blamed on the highly generic melody, which fails to understand BLACKPINK's strengths and skills.


17. Really (2018)

A moody trap mid-tempo, Really is more about its smooth vibe than any sense of emotion or deeper meaning. BLACKPINK's four members all provide an engagin performance, but the song lacks any hook that sticks.


16. Bet You Wanna Ft. Cardi B (2020)

A fun little collaboration between one of the biggest rappers in the west and the Korean girl group, Bet You Wanna is simple, driven by minimalist pop beats. It fails to take advantage of either stars' strengths, but it makes nice interlude on The Album.


15. Hope Not (2019)

Hope Not can be categorized as one of BLACKPINK's most forgettable ballads. The vocals on this song are utterly gorgeous, with the vocal harmonies being quite memorable. Unfortunately, the production feels overtly muted, and nothing on the track helps differenciate it from the several ballads swarming the Korean market.


14. Crazy Over You (2020)

Crazy Over You has some interesting ideas and samples. The flute in particular, is quite memorable. However, it does not make as cohesive of a listen as it could. The drop is initially fun, but the "Like eee eee" hook is greatly distracting.


13. Whistle (2016)

While far from BLACKPINK's most popular single, this debut's minimalist trap beat remains quite memorable. From the strummed guitar and powerful vocals in the pre-chorus to the simple anti-drop, Whistle is filled with catchy hooks. Even if a tad repetitive, it thrives on its simplicity.


12. Love To Hate Me (2020)

Love To Hate Me is BLACKPINK by the numbers, but it works much better than other such examples. From the dramatic pre-chorus to Lisa's rap, Love To Hate Me thrives on its over-the-top sense of apathetic drama.


11. Forever Young (2018)

Opting for the then-omnipresent trends of Tropical House and Moombahton, Forever Young keeps things lighthearted, summery, and upbeat for the most of the track. While perhaps one of the group's most generic songs, it remains fun until its absolutely confusing hype-track coda, remaining a confusing distraction at the end of the song.


10. Ddu-Du Ddu-Du (2018)

One of their most iconic and famed tracks, Ddu-Du Ddu-Du is big and brash, from speedy raps to the trap drop. The song is let down by predictable lyrics and Teddy having yet to master his formula for BLACKPINK hype tracks. Nonetheless, the pre-chorus and middle 8 fade away the production for dramatic moments.


9. Pretty Savage (2020)

Easily one of BLACKPINK's best Teddysound tracks, building off a set structure. Succeeding where How You Like That failed, Pretty Savage feels dramatic, but never is enveloped by the instrumentation. While it may lack the emotion of their top songs, it is hard to not bop your head along to the central drop.


8. You Never Know (2020)

A dramatic ballad on the sufferings of an idol, You Never Know is generic, and almost certainly manafactured, as the members did not have a hand in writing the song. Nonetheless, BLACKPINK are strong vocalists, and the synth-strings prove a strong assist across the chorus. (Full Review)


7. Boombayah (2016)

One of BLACKPINK's debut singles, Boombayah set the stage for most of BLACKPINK's future tropes, from Teddy's drop chorus to their basic strong structure. It is one of the few BLACKPINK songs that perfectly blend their 'black' and 'pink' styles, and the Phrygian melody in the chorus perfectly captures the hype track's energy, even if it is melodically unsatisfactory,  it sets up BLACKPINK as the direct successors of 2NE1.


6. Kill This Love (2019)


Easily one of BLACKPINK's best hype tracks, Kill This Love explodes with miltant percussion and tense energy. From the blaring brass to the silent, graceful pre-chorus, Kill This Love is always bursting at the seams with drama. It does kowtow to the trends of its time, and also follows Teddy's set formula to a 'T', but it still functions as an above-average release.


5. As If It's Your Last (2017)


One of the few BLACKPINK songs to exclusively cater to their 'pink' sound, As If It's Your Last is a synth-kissed pop track, bright and joyful from start to finish. The cotton candy hooks prove a strong contrast to Rose and Jennie's dramatic timbres and driving percussion. While far from perfect, it remains an enjoyable entry into the girl group's discography.


4. Don't Know What To Do (2019)


Don't Know What To Do remains highly simplistic and stripped back, but its building pre-chorus and anthemic chorus are quite memorable, particularly the striking EDM drop at the chorus' heart. It remains aggressive without detracting from the expericence.


3. Lovesick Girls (2020)


As of the time of writing, BLACKPINK's latest title track, and also one of their best. Lovesick Girls takes its time to build to peaks, but succeeds greatly once there. With pulsating bass and smooth rhythm guitar, the song nonetheless thrives on resonant silence and emptiness, a strong assist the lyrical themes of the song. A strong songwriting debut for the members, Lovesick Girls was a stunning reinvention and return to form for the famed girl group. (Full Review)


2. Playing With Fire (2016)

While not even three-month rookies, BLACKPINK released this modern K-Pop classic. From the melodic chorus to the graceful second verse rap, Playing With Fire thrives on a sense of dreamy, reckless, and young nostalgia. Producers R.Tee and Teddy Park anchor the track with a harmonic EDM drop, repeated throughout, but never overused.

Playing With Fire knows that melody matters most and puts hooks headfirst. For such a simplistic track, vocal prowess is required, and more than provided by the underrated talents of Jisoo and Rose. Like a warm cup of hot chocolate, Playing With Fire is tangy, with just enough acidic richness to act upon the dreamy hooks.


1. Stay (2016)

Despite their global fame and popularity, BLACKPINK's Stay remains hopelessly underrated, as both their best and least famous single. Taking heavy inspiration from previous Teddy Park songs, particularly 2NE1's Lonely, Stay nonetheless forms its own identity. Driven by a folksy, Taylor Swift-Esque instrumentation, Stay has none of the big and flashy moments associated with BLACKPINK. Instead, it is just an emotional ballad, thriving on the quartet's voices.

And the four provide the best performance of their entire career. No swag, no aggressiveness, just pure emotion given through their voices. Jisoo, Rose, Lisa, and Jennie all perfectly capture the unreliable, often complex emotion of love, singing "Don't ask me why it has to be you, just stay with me".  Rather than overproduce the production and drown BLACKPINK's voices as he often does, Teddy Park instead opted for a simple instrumental set to assist the track. Strummed guitar, claps, and a gorgeous post-chorus harmonica breakdown keep things simple, letting the members lead the song. From its simplistic but perfectly tuned melody to the memorable music filter, Stay does nothing wrong. Stay remains hopelessly underrated, but equally memorable, showing the charms that put BLACKPINK on the map while being one of the greatest girl group tracks of the 2010s.


Image Source: NME

Comments

  1. Playing with Fire & Stay remain superior. My 3rd one would probably be As If It's Your Last and I would've kicked DDDD to a way lower place but the rest would pretty much be the same haha. *-*

    Love this series of posts!

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    1. Glad to find someone else who likes Stay. For whatever reason, that song is supremely underrated.

      As If It's Your Last might have been raised to the 4th spot had the verses been more consistent, better percussion could help it too. Glad you like it though!

      I also expected DDDD to be lower. However, I found it oddly addictive while compiling the list, and hence I moved it up a spot. It is not that good though, BP still need to build their discography.

      Glad you love the series, and judging by the views they get, you're not the only ones!

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  2. My first girl group ever, and undoubtedly one of the best I've ever witness. BLACKPINK is such a powerhouse group. Unfortunately, their recent music hasn't touched my heart as their best did. Playing With Fire is still my favorite song of theirs and one of the most influential songs in the Korean music history. I'm glad that Stay got attention here, its really an amazing ballad that should never go unnoticed.

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    1. Maybe it is just me and my long history with boy bands/girl groups, but I don't really think Blackpink are at that level just yet. With Stay and Playing With Fire, they had arguably one of the greatest debut years of any artist in modern times, but their output very soon dropped. Glad their early music still impacts you, so fantastic.

      Playing With Fire is a highly popular choice for number one, and I can see why, it is a modern classic, and easily Blackpink's best dance track. The fact that it and Stay were released togethers as a-sides is fantastic.

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    2. I understand you and yes sadly their music is really getting frustrating and that's really the fault of their producers because they have lost direction and a sense of cohesive style. I just wish them to release good music now.

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    3. True, though I think they first have to release music for it to be good :(

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  3. I remember hearing HYLT for the first time, I was convinced it was better than DDDD and KTL until we reached the most jarring and questionable half time chorus I have ever heard. It's a shame because the melody and the rap are decent to good.

    Don't Know What To Do could have been part of their strong singles if only it was given that treatment. And Bet You Wanna should have been the English promotional track and not Ice Cream.

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    1. I think we all felt that when we first heard HYLT lol. The song is so good until that ridiculously contrived and absurd drop.

      Don't Know What to Do would have been a fantastic single!

      Earnestly, I would personally gut Ice Cream, keep Bet You Wanna as a b-side, and release something else as their late-summer English collab. It does seem due to their similar sound, Bet You Wanna may have been an attempt at a single that did not work. Ice Cream still baffles me to be honest.

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  4. Top 5 is pretty much agreeable while the rest... yeah (Boombayah and Ddu-du Ddu-du are quite solid I think)

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    1. I think the first sentence perfectly summarizes BP's whole discography lol.

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  5. Interesting how our tastes differ here! I only love As If It's Your Last and Lovesick Girls, so they're my top 2. The rest of their songs are pretty meh to me.

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    1. Unrelated, but apparently Faky has a new song? Very vocaloid, too. (I just realized I haven't listened to them in ages.)

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    2. I'm very sorry for the spam! I clicked PUBLISH way too soon. But yeah, it was during Faky's Surrender that I got into them (https://www.youtube.com/watch?v=k9rEWw5m3YA). Wow, it's been long, might binge the music I missed.

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    3. Lovesick Girls is pretty great!

      FAKY's new song is pretty great. I always enjoyed them, but never have really became a fan. This song is pushing me near the line though. I just wished it exploded at some point, that would send the song into the greats of this year so far.

      Surrender sounds good, maybe I'll check out their old material!

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    4. I agree! The new song would've been amazing with just few more additions. I'm really liking the idea of them going the vocaloid-type route. I hope they continue--might follow them again.

      Btw, here are some old FAKY songs that I like besides [Surrender]: [Someday We'll Know] and [Suga Sweet].

      Then their collab group FAMM'IN. Their songs were pretty polarizing--but their type of bonkers is for me lol. I suggest checking out [circle] and [animus].

      Feel free to share your thoughts if you end up listening to these. :)

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    5. Well, I guess I have no choice but to share my thoughts then :)

      Surrender: I love the electronic tension throughout the song, sounds like a more electronic and melodic cousin to the girl crush in K-Pop. Some of the EDM beats are noisy, but holy frick, that is one fantastic climax. This is a 9+ track instantly.

      Someday We'll Know: A little generic, sounds like most other trop-pop songs at the time, but I love the somewhat melancholic touches in the melody.

      Suga Sweet: The chorus is pretty good, but the verses are a little forgettable, probably my least favorite of the three.

      Circle: A little all over the place, but I find it interesting how most of the elements here would go on to shape hyperpop, albeit in a more uptempo shape.

      Animus: The description and all sounds interesting, and I love the little traditional electronic breakdown leading to the fantastic bridge, but I feel maybe a few element changes would send this into the stratosphere, probably my second favorite of the bunch.

      Surrender has been instantly playlisted, thanks for the new group to check out Bluemonday!

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  6. (Not sure if my reply went through so I'm rewriting this, sorry!)

    There's a reason I shared [Surrender] first. :D Love that it's quite dark/gritty while melodic. And I'm glad you like it. The other 2 FAKY songs are quite generic and not up there, but they're somehow solid too.

    And I adore the all the chants and vocal layerings on [animus]. Agreed on some element changes, but I also love it as it is. The melodic parts were well-earned (I do wish they were less subdued and longer?). I remember listening to FAMM'IN a lot while drinking/meditating lol.

    Thank you for your time and comments! I wasn't planning on giving out random recommendations. It' just been long since I last listened to the group/s, hence my eagerness lol.

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    1. Your original comment seems to have disappeared into thin air, no idea what happened, sorry.

      Surrender is so good, I wish K-Pop would do stuff like that, it gets quite a lot right.

      Haha, I earnestly don't know how I could listen to FAMM'IN while meditating, too loud and chaotic for little old me lol.

      Loved the recommendations, thanks Bluemonday!

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